{"id":1981,"date":"2024-08-22T16:13:49","date_gmt":"2024-08-22T14:13:49","guid":{"rendered":"https:\/\/staging.lasserhaus.it\/art\/contemporary-works-at-the-lasserhaus\/"},"modified":"2024-12-03T12:52:36","modified_gmt":"2024-12-03T11:52:36","slug":"contemporary-works-at-the-lasserhaus","status":"publish","type":"page","link":"https:\/\/staging.lasserhaus.it\/en\/art\/contemporary-works-at-the-lasserhaus\/","title":{"rendered":"Contemporary works at the Lasserhaus"},"content":{"rendered":"\t\t
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Contemporary works<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Home<\/a><\/span><\/span><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Five artists have created works for the house that fit into the structure and flow of the building and enable new perspectives.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Overview<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ingrid Hora
Wall Bars, 2023<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Beech wood
455 x 315<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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* 1976 in Bolzano, lives and works in Berlin<\/p>\n

In guest room no. 1, Ingrid Hora has created an expansive work that extends along the wall to the curve of the ceiling. The work is an extension of the guest bed. The shape is reminiscent of a wall of bars in a gymnasium. The framework, made of beech wood, surprises with its slightly distant symmetries. Through the absence of individual rungs, the wall becomes an object that opens up a new perspective on the use of the object.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Peter Kogler
untitled, 2023<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Digital print film<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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* 1959 in Innsbruck, lives and works in Munich and Vienna<\/p>\n

For the wine cellar in the Lasserhaus, Kogler has created a work that nestles against the architecture of the room like a second skin, covering the walls, vaults and floor in their entirety. Vinelike forms and seemingly circling spheres evoke a slightly psychedelic sensation in the viewer.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Petra Polli

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The South Tyrolean artist Petra Polli has created three works, two of which were created especially for the Lasserhaus.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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* 1976 in Bozen, lives and works in Bozen and Leipzig<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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expect the best, 2023<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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White neon, copper sheet
128 x 47 cm<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The artwork expect the best <\/b>was made especially for the Lasserhaus. Memory is at the centre of this work. The metal piece comes from the building itself. It was part of the roof. Now the raw piece of metal is complemented by the following lettering: expect the best<\/b>. When entering the room, the artwork triggers a positive expectation in the guests.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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M, 2023<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Neon lines white and blue
78 x 66 cm<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The neon work consists of lines that are formed into peaks and connected to each other. The peaks stand for the seven generations that have lived in the Lasserhaus over a period of 200 years. The quick stroke of the lines refers to children\u2019s scribbles while the seven peaks represent the seven generations. At the same time, these lines form an M<\/b>, which stands for mother.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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LIKE, 2016<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concrete sculpture
80 x 88 x 4 cm<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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LIKE <\/b>was made in the aesthetics of TAGs. The tags are abbreviations used by graffiti sprayers to mark their territoryand leave coded messages that are only understood by insiders. The concrete lettering LIKE <\/b>is to be understood in a similar way to the tags. It picks up on this aestheticand thus creates a connection between public and private.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Esther Stocker
Thoughts and Planets, 2023<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vinyl, wood, metal
Per object between 20 - 60 cm<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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* 1974 in Schlanders, lives and works in Vienna.<\/p>\n

The installation by Esther Stocker consists of sculptures that seem to float on the vault of the ceiling. The sculptures consist of a wood and metal construction wrapped in vinyl. The form results from the interplay between the flexibility of the material and the creative act of the artist herself.<\/p>\n

The resulting cloud-like, irregular form contrasts sharply with the linear and geometric black and white patterns of the sculptures.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Alexander Wierer
Songs About Time, 2023<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Clockwork, wooden railing
70 x 3 x 3 cm<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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* 1989 in Brixen, lives and works in Brixen.<\/p>\n

As objects of daily use, handrails and handles guide and lead us. They suggest safety. At the same time, a handrail can be a first point of contact with space, a first haptic impression. This functionality is directly related to the history of the house in Songs About Time <\/b>by Wierer. Here, Wierer interprets the staircase as a timeline, as a visualisation of time in beats.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tDownload the brochure<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Culinary delights and urban flair just a few steps away<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Cuisine at
'Alter Schlachthof'<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In our restaurant \u2018Alter Schlachthof \u2018, we use as many products as possible from local farmers and selected suppliers in the immediate vicinity. This applies to South Tyrolean classics as well as excursions into international cuisine.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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'Aperitivo-Time' at
the 'Viertel Bar' <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Enjoy a wide selection of drinks and delicious easy dishes and appetisers in our bar in the centre of Bressanone\/Brixen. The stylish bar and the outdoor area with a view of the white tower invite young and old to linger.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Contemporary works Five artists have created works for the house that fit into the structure and flow of the building and enable new perspectives. Overview Ingrid HoraWall Bars, 2023 Beech wood455 x 315 * 1976 in Bolzano, lives and works in Berlin In guest room no. 1, Ingrid Hora has created an expansive work that […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1930,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false},"class_list":["post-1981","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nContemporary works at the Lasserhaus - Lasserhaus<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contemporary works at the Lasserhaus - Lasserhaus\" \/>\n<meta property=\"og:description\" content=\"Contemporary works Five artists have created works for the house that fit into the structure and flow of the building and enable new perspectives. 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